The new trailer park tuesday is up over at the new blog. Check it out. =)
i forgot to mention that this week's trailer park tuesday was at the new blog.
Hey everyone, who are your favorite bands or artists to see live?
this week, five things is over at the new blog.
For those of you who enjoy reading my blog regularly, at least when I am writing something regularly, I will be moving over to wordpress. I may crosspost for a while or something along those lines, but I'm not sure.
Also, for those who have been reading my blog long enough to remember the challenge with Waldo Nelsonsonton, there is a new one coming to life starting Monday. As opposed to the old once a day schedule, we will be required to post once by Monday, once by Wednesday, once by Friday, and once over the weekend. That will be what must be done to survive.
I hope you all follow me over so I can continue to see your comments from time to time. And rest assured I will continue reading all of your blogs, even though I'm not very good at the consistent commenting... just like I'm not very good at the consistent blogging these days. Hopefully the new challenge will remedy that.
The new blog is here.
1. The National and Menomena @ The Moore Theater:
On Friday night, Em and I got to go see Menomena and The National at The Moore Theater here in Seattle. We had a really great time. I thought I’d missed my best chance at seeing The National since they’d been here fairly recently and I was too busy to free up an evening. I was pleasantly surprised when my friend Luke, who also attended, let me know they were coming back, and that Menomena was opening for them, a fact which is an unnecessary but welcome bonus.
As I’ve said before, I love The National more every time I listen to them, and they certainly didn’t disappoint live. Menomena and The National both put on a great show. It was a lovely Friday evening and a well deserving part of this week's five things.
Sadly, much of what once made the Soul/R&B sound great has perished in the wake of the ridiculous pop trends of the late 70’s and beyond. Even greats like Stevie Wonder and The Temptations lost their minds and went the way of overproduced, heavily synthesized silliness. What was once a proud and powerful force in the world of music has for too long been turned into music that is barely fit to listen to in an elevator.
The vacuum left behind by these musical giants after their fall from grace has at times been filled with talented individuals who were able to capture something of the old magic and combine it with current pop sensibilities. Yet, for every moderately talented group, there has been busloads of “no talent ass-clowns” who get paid to make the same song again and again, taking an insubstantial, but dance-worthy, baseline and covering it with mediocre vocal talent and mindless lyrics about sex and romantic relationships which barely reach a junior high maturity level.
For far too long, we've been without the timeless ballads and soulful lyrics of a young Stevie Wonder. The soulful pleas of David Ruffin and the Temptations were nowhere to be seen. The body-moving, soul-lifting power of James Brown could only be found by tuning into an oldies station.
Fortunately, during my lifetime, a talented group of men and women have finally taken it upon themselves to fill in the sizable gap left by past greats. The men and women I’m referring to are those who make up what is known as the Neo-Soul genre. The most popular manifestations of this genre are Alicia Keys and John Legend, but that is merely the tip of the iceberg.
If you are at all interested in this genre but haven’t gotten into it yet, I highly recommend picking up Raphael Saadiq’s new album, The Way I See It, released last Tuesday on Sony BMG. The title of the CD itself sounds more like a Marvin Gaye album than today's typical R&B fare. CD's today are more likely to be called something imaginative like Sweat or Shake That Ass or some other similarly mind-numbing possibility.
Saadiq’s CD is at times the postmodern incarnation of everything that was good about the sound and songwriting of Stevie Wonder or Smokey Robinson, and he moves and carries himself in a way that emanates the effortless sexuality, charisma and charm of David Ruffin or Marvin Gaye. I listened to the CD four times through... and that was just Thursday afternoon.
Some might feel it rests too much in emulation and fails to move forward into anything new, but personally I'm not looking for perfection, just something that seems worth listening to. I recommend checking out the CD, as the very name of the Neo-Soul movement (as well as the genre it points back to) implies, it’s good for the soul!
You can see a music video from the CD here. It isn't the strongest song on the CD, and the video isn't terribly exciting, but it works.
3. Magic Numbers:
For those who don’t know, magic numbers refer to sports standings, and are the numerical representation of how close a team is to clinching a spot in the playoffs. The best way to explain how the number works is to use an example. A team in first place in a division, the Cubs for instance, have a magic number that gets lower and lower as the team moves closer and closer to clinching their division, something the Cubs did over the weekend. Once the magic number reaches zero, it is mathematically impossible for another team in the division to catch them.
Continuing to use the Cubs as our example, a magic number goes down in two ways: when the Cubs win, and when the team closest to the Cubs in the division, in this case the Brewers, lose. So, for every Cubs win, the magic number goes down by one, and for every Brewers loss, the magic number again goes down by one. The magic number can never go up, so it is always the best representation of how close your team is to winning the division, or clinching the wild card.
The equation to figure out what a magic number is can be figured out pretty easily, it is the total number of games in a season, minus the number of wins for the first place team, minus the number of losses for the second place team, plus one. So, if we were to use the Cubs record on Friday, it would be Total number of games in an MLB season - Cubs wins - Brewers losses + 1 = Magic Number!, or, 162 - 92 - 69 + 1 = 2!
I love watching magic numbers, as each draws closer to zero and we see the playoff picture come into clearer focus, my baseball loving heart fills with excitement and anticipation. Also, when a team your rooting for is in first place it is fun to know just how close they are to clinching a coveted playoff spot. So, for me to watch the Cubs (2) and the Dodgers (7) move closer to winning their division is exciting indeed.
I enjoy things even more to see the unexpected success of the Rays this season, it does my heart some good. They’ve never had even moderate success thus far in their short existence, so to look at the standings and see that they've already clinched a spot in the playoffs, and their magic number to win the division is 7 (not counting the conclusion of tonight's games) is stunning!
Anyway, magic numbers are a fun way for a baseball nerd like myself to get deeper into the game I love.
4. My iPhone:
There really isn’t anything that needs to be said. After two weeks with my iPhone, it’s everything I thought it would be. =)
5. Yankee Stadium:
I sit here in my living room as I write this, and watch with a full heart as, on the other side of the country, Yankee Stadium wraps up its storied career as the premier venue in sports.
Plenty has been said about how important Yankee Stadium is, not just to baseball, but sports in general, so I won’t go into great detail about how remarkable it is. What I will say is that it’s been pretty important in my life. You don’t have to know me very well to know about my passionate love for all things baseball, and Yankee Stadium was where I fell in love.
There are so many remarkable moments and memories I have as a lifelong Yankees fan that I will cherish for the rest of my life. My first baseball game was at Yankee Stadium, as Don Mattingly hit one out and the Yankees beat the Royals. I remember my first playoff game at Yankee Stadium, where Scotty Brosius hit the game winning home run and the Yankees beat the Rangers, and where Don Mattingly made an appearance before a screaming, electric crowd, and Mariano Rivera came in for the save to the sound of Metallica's “Enter Sandman”, a key part of what is still the most thrilling ritual I’ve ever witnessed in sports.
I even felt more connected to the games I watched on TV when they took place in the cathedral of baseball I’ve known so well. That trademark bright blue padding surrounding the field, that beautiful aerial view, the short porch in right field. As much as the pinstripes, they were always there to remind me of how special Yankees home games can be, and of all the great memories, frustration, pride, affection and enjoyment I’d found in being a Yankee fan for all these years.
I’m definitely excited about the new stadium, it looks beautiful and classy, carrying over not just the best of this Yankee Stadium, but also what Yankee Stadium was before the refurbishment of the late 70’s. That will become a special place as well in time. New memories will play out there.The fans will create an electric atmosphere again, the organization’s careful attention to tradition and history will make the ghosts feel at home, and the players will still step onto the field wearing pinstripes 81 times a season.
Still, while I've found some peace letting go of the old Yankee Stadium, there is definitely a part of my heart that will always stay in that hallowed place, and that will break when it is finally torn down. The best way I can think to describe it is as if the house you grew up in were torn down. Like your parents or your grandparents moved out of a home you thought you’d be able to visit forever. You thought you would bring your kids back and tell them stories from the house, but now it is gone and your children will never know it, you will never be able to visit the places of memory anymore.
So, with the coming demolition of Yankee Stadium, it’s as if part of myself will be torn down as well.
Goodbye old friend. I’ll always remember you.
To give credit where credit is due, the reason I chose this week's clip is because it's fresh in my mind after bold as love included it on her blog recently. It is one of my favorite X-Files moments, thanks in large part to the reality that it within the context of one of my favorite X-Files episodes, "The Unnatural."
Granted, the joke (the likes of which were quite common on X-Files) about Mulder's addiction to pornography is certainly less amusing in light of David Duchovny's real life struggle.
Hey everyone, I just wanted to let you all know that I got something published at The Other Journal... and for those of you who know I'm interning there, I'm happy to say it was accepted for the site before I became an intern. I suppose there's no accounting for The Other Journal's taste since they took my article.
I know it isn't really that big a deal, but it still makes me happy. It's somewhat validating that someone actually thought it was worth going through the work of editing to place it on the site.
If you'd like to check it out, you can here: The Monk and the Hymn. If you've read my blog for a while, you'll recognize the primary gist of the post, it's a slightly reworked, lengthened version of an old post I did.
Another weekly post that will actually end up semi-weekly at best. I think it sort of speaks for itself, so I'll forgo the explanation.
Quantum of Solace:
"This man and I have some unfinished business."
What is it?: Daniel Craig is back for another kick-ass installment of the re-invigorated Bond franchise.
Why I'm Interested: Daniel Craig's first turn as Bond, with the franchise's new vision of 007 was one of my favorite movies that year, it delivered a heaping spoonful of well-executed action, along with story and character development that gave the character real life. I'd never been a Bond fan, but now I wait for the next installment with bated breath, and if the first two trailers are any indication Quantum of Solace is going to deliver the goods.
New(er) Theatrical Trailer: It can be seen in HD format but click the appropriate links here.
The Soloist:
"Are you flying that plane?"
"Nah, I'm right here."
What is it?:
Jamie Foxx plays a mentally ill homeless man with an extraordinary musical gift. Robert Downey Jr. plays a journalist who encounters Foxx's character and decides to write a story about him. The film seems to be the story of how these two lives intersect.Why I'm Interested: There is always a risk with films like this because the ground has been covered before, and there is a fine line between inspirational films about the human spirit, the remarkable power of love, and the redemptive nature of community on one side and mindless, cliche slush on the other. But, Robert Downey Jr. and Jamie Foxx are both especially talented actors who, along with a promising trailer, make this one worth the risk for me.
Trailer can be seen in HD format here.
Doubt:
"Doubt can be a bond as powerful as certainty."
What is it?: Conflict arises at a Catholic school when two nuns (Meryl Streep, Amy Adams) come to suspect a priest (Philip Seymour Hoffman) of molesting a young boy.
Why I'm Interested: When I first heard about this one, I was intrigued by the cast, but the main premise seemed to be a bit too easy. A diatribe against the Catholic church that was basically the indie film equivalent of shooting fish in a barrell. However, after seeing this trailer... you had me at "I was not inviting a guessing game, Sister Raymond." It seems far more complex and interesting than I'd originally anticipated, and the performances look pretty fantastic. I'm definitely looking forward to this one... in a sullen, I know I'll leave the theater heavier sort of way.
Trailer can be seen in HD format here.
In honor of our great day at Rock the Bells, the music video for "Drop" by The Pharcyde is this week's second clip. When I was a kid it was my favorite music video, and even now it's impressive to look back on how clever underground hip hop acts, and their video directors, were to make up for having such a small budget.
